Joined in 2023 
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A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears. A poster that may have more than one very minor flaws, a minor tear or some barely visible signs of restoration. Colour in outstanding condition. Considered almost unanimously as one of the worst films in James Bond series, it is time for Moonraker to have a defender. On my opinion, this is Moore's best fourth outing as 007(may be not saying too much, but there are three films left), and a very entertaining sci-fi film. Critics argue that humor plays a strong hand in this movie-strong to such a degree that Bond character loses all personality, becoming blurred in an impressive set of FX and stunt men. I reply: certainly there are flaws, some of them (particularly Jaws conversion towards the end) very ridiculous. But there are good points, too. Remember that pre-credit scene, which was ACTUALLY shot in the air, the motorboat chase or the final space battle, one of the most spectacular moments of the entire series, (yeah, it was unrealistic, OK, but tell me how much realism you can find watching other Bond movies which are frequently referred to as" the best". Think of Goldfinger or You only live twice) The action scenes were even wilder that those of ‘Spy’, including a magnificent free-fall pre-credits scene, Bond’s gondola turning into a hovercraft, Jaws and Bond getting to grips on a cable car over Rio, a speedboat chase in South America, and a shoot-em-up finale in outer space. John Barry produced another fabulous score, particularly ‘Flight Into Space’. Until ‘ Die Another Day‘ in 2002, it was universally regarded as the nadir of the series. I disagree. One has to remember that around this time Kevin McClory was threatening a ‘ Thunderball‘ remake starring Sean Connery, and thus Albert R. Broccoli could not afford to takes risk with the formula.
x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad. BRITISH Posters As a youngish lad growing up in ’70’s Britain, I always made a point of seeing the latest Bond, usually with my friends in tow. We did not care if the films were faithful to Fleming, if there was too much humour, or if Moore was wooden, we went to have a good time and did.
This poster will be in excellent conditions and if it has a blemish or mark it will be barely noticeable.QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork. FRENCH Posters An average poster that shows multiple pinholes, tears that are clearly visible or possible tape stains. Colours are still good but the paper may have yellowed.
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Don`t miss out on this fantastically rare chance to find this, a Certificate of Authenticity is included. And the gadgets! ‘ Moonraker‘ outdid them all. I once tried to build Bond’s wrist-dart gun. I don’t think anybody walked out of a Timothy Dalton Bond feeling like they could conquer the world, but with Roger’s we did. And we saw them more than once in theatres. An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
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